Lea has been awarded an Arts and Culture Creative Fellow at the Bill Douglas Museum Cinema Museum at Exeter University and will be conducting research into peepshows, lantern slides, stereoscopes, panoramas and other optical objects, looking at ways this collection might inspire live work.
All posts in Other
Le Navet Bete
Le Navet Bete Company will present their new production of THE THREE MUSKETEERS, at The Northcott Theatre. Written and directed by John Nicholson, movement direction by Lea Anderson, composer and sound design by Peter Coyte, set design by Ti Green and costume design by Fi Russell.
Wed 1 – Sun 5 May 2019
Wed – Sat Evenings 7.30pm
Fri Green Matinee 2pm
Sat & Sun Matinees 2.30pm
Performance at The National Gallery of Denmark Copenhagen
Date: 24. 25, 27, 28 jan. 2018
Lets dig into the national consciousness. Lets release the skeletons from the cupboard and let them dance on what we hold sacred in search for where it actually hurts.
Performed by six dancers on selected dates in late January, National Exhibition merges performance, installation and dance. The work is performed against a backdrop of the nations art and cultural history in the form of SMK’s collection and with it KASPERSOPHIE takes an investigative view on mono-culture, national pride and national branding.
It will shed new light on gems from the Golden Age of Danish art and draws inspiration from the architectural contrasts in the historicist and modernist elements of the present-day museum building.
• Wednesday 24 January 15.30-19.30
• Thursday 25 January 11.30-15.30
• Saturday 27 January 12.00-16.00
• Sunday 28 January 12.00-16.00
Concept and design / Kasper Hansen and Sophie Bellin-Hansen
Choreographer / Martin Forsberg
Dancers / Lydia Östberg Diakité, Joel Fritzon, Josefine Ibsen, Camille Marchadour, My Nilsson, Daniel Jeremiah Persson
Consultant, costume/choreography / Lea Anderson
Historic consultant / Mikkel Venborg Pedersen
Costumer/tailor / Sophie Bellin-Hansen
Tailor / Mari Halebro
Knitter / Galina Gorneva
Textile prints / Contrado
Embroidery / AL Broderi
Shoemaking / Kasper Hansen
Flag production / Lipuvabrik
Project administrator / Jens Christian Jensen, Projektcentret
The work is a co-production by HAUT, SMK / National Gallery of Denmark and Dansehallerne. It is funded by The Danish Arts Foundation, Knud Højgårds Fond and the Bikuben Foundation.
Dressing The Part- December in Copenhagen
You’ve Changed -Edinburgh Fringe Festival 2017
Contains nudity and swearing!
Previews: 5,6 August
Performances: 10, 11, 12, 13, 14, 15, 17, 18, 19, 20, 21, 22, 24, 25, 26 August
Duration: 60 mins
Venue: Northern Stage @Summerhall (Venue 26) Edinburgh, EH9 .
Age Suitability: 14+
You’ve Changed: A Trans Creative and Contact Co-Production
So, let’s, face the music and dance…
It’s fourteen years since Kate transitioned and a lot has changed. However, where gender is concerned, are we still stuck in the dark ages? When there’s no rule book, sometimes you just have to write your own.
Through song, dance, hard-won wit and wisdom, You’ve Changed shines a light on the ins, outs, ups and downs of transitioning. Challenging the idea that genitals equal gender, Kate literally bares all, exploring what’s down there and what’s up here.
Kate’s changed: that’s clear, but what she really wants to know is, have you?
Performers: Kate O’Donnell, Sean Murray
Director: Mark Whitelaw
Choreographer: Lea Anderson
Musical Director: Steve Blake
Designer: Katherine Heath
Studies in Costume & Performance
Volume 2 Number 1 of Studies in Costume and Performance is now published, edited by Donatella Barbieri with articles by Mary Kate Connolly on Lea Anderson’s use of costume, by Lara Maleen Kipp on Howard Barker, the sublime and iconic dresses, by Patricia Lennox on Arthur Rackham and design practice, and by Emily Collett and Roger Alsop on national identity, ballet and costume. The events reviews edited by Nadia Malik include Fiona Watt on Pamela Howard’s exhibition at AUB, Michael Spencer on The Vulgar: Fashion Redefined by Judith Clark and Adam Phillips, Myrsini Pichou on Costume on Stage and Screen held in Athens and Katie Barford on Costume and Fashion in Context and Practice at Huddersfield University. Book reviews edited by Suzanne Osmond are for The Superhero Costume: Identity and Disguise in Fact and Fiction read by Chris Comerford; also for Mute Movements: A Collective Performance Art journey through Beirut, which is reflected upon by Ester Mangas Fernandez; and for Unbuttoned: The Art and Artists of Theatrical Costume Design reviewed by Suzanne Osmond.
For more details see Intellect website: